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[Largeformat] Photo 101 - Class 23 - Film
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Douglas,
No you are not alone, I do color printing too and find it easier
someway than B&W.
B&W needs a B&W mindset and a few days a month i feel compelled to do
some B&W printing... the smell of Fixer ... the magic of that image
appearing in the developer tray ... YES I need it !
When it comes to B&W negative processing, you really have 2 CHOICES
1. Do it yourself or
2. Have a small custom lab do it for you.
Large labs use replenished tanks mostly with D-76 and .... thats no
good for TMax film. They also overcook this film because they are on
a Kodak quality-process schedule and have no sense about art,
greytones, zone system, and .... EI 50 on TMax100 !!! Large labs
create dense, blocked negatives and if you are lucky, you may be able
to print a so-so image on #1 paper... with no sparkle in it or an ok
image on #2 paper with lots of burning....
All that you created in the field is lost, except for an image that
would be ok in a newspaper.
I can't really see why any magazine prefers negatives over Chromes
except for the fact that more photogs and labs are getting sloppier
about exposure and process control.
A negative is more forgiving than a chrome. But a Chrome has a
cleaner
scan, particulary in the highlights, where almost clear film will
generate no noise, in opposite to a negative which will be most dense
right there. And all scanners (even drum scanners) will generate some
noise when density increases.
A negative has an (orange) mask incorporated which is meant to offset
imperfections in color paper response (named Arrastres) and that mask
has no other function than just that. Negatives are meant to be
printed on C-paper. Newer scanners and software can scan negatives
fine, but the same scanner will scan a chrome even better, and with
more color fidelity....(What was the hue of that red shirt on that
negative ?)
Tigershark